Gibson’s London is beautiful but ghostly. “Removing the people changes the environment. In this case, particularly with London and a depleted future, a lot of it was taking things away, he adds. “There’s a tendency in science-fiction world-building to be additive, to clutter those worlds. Then I had a lot of wonderful artists I worked with, culminating in our brilliant production designer Jan Roelfs.” Smith (Creador), Alrick Riley, Vincenzo Natali Guion Scott B. “All through that time I was collecting images and assembling my notion of how we would present these two futures. The Peripheral aka Año 2022 Duración 60 min. “It was a massive task, but I had seven years to absorb it,” Natali says. They’re part of an immersive 2099 set up by Natali’s lead episodes, which give a spectral veneer to the central London locations they used. I say ‘shite’ now.”Īs well as playing the working-class Fishers, Moretz and Reynor also played the human-like androids modelled on their character’s bodies, who would move and act differently based on whose consciousness inhabited them. “I was soon saying ‘arse’ and ‘what’s the craic’. “Jack Reynor’s Irishness rubs off on everyone,” jokes Moretz, revealing a particular gift for languages.
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